I keep coming back to the moment when something stops feeling strange.

I think we get used to things long before we understand what they cost us. We learn what to ignore, what to accept, what to live with. Eventually, we stop noticing that anything has changed.

I don't start with ideas. I start with something I can't shake. Making is how I stay with it long enough to understand why it won't let me go.

I’m interested in that small shift when something familiar suddenly feels unfamiliar - when you catch yourself looking again.

That's where the work begins.

s e l e c t e d   w o r k s

Exposure, 2026: a large beaded tapestry in deep reds and pinks.

Exposure

2026
Horizon, 2025: plaster casts of the artist’s face bound together in barbed wire.

Horizon

2025
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